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Damien Hirst, Antony Gormley and The Trinity Sermon preached
at St Mary's Church, Whitkirk, Leeds
The
artist Damien Hirst has struck again, this time with a diamond studded platinum
cast of a human skull. It is worth about
£50m. It is called ‘For the love of God’
and what you think that means will be reflected in the inflection you use to
say it. As the Independent pointed out, exclaimed with disgust and you will be
expressing its vulgarity. Murmur it
somewhat pensively and you will be saying that you are entranced by its
audacity and the statement it is making. But
what is that statement? One person on Newsnight claimed that it announced our
victory over death. This is the most
that we can throw at it - £50m worth of diamonds! I don’t think so, I thought. If this is the most we can throw at death
then death very much has the final laugh and this sparkly skull is about as far
from a statement of victory as we can get.
This is the ultimate avoidance and may be that is Damien Hirst’s point.
At first the images are just interesting: a lone figure in the sand. Then we come to another and another, and on it goes along the beach and out to the sea shore. The impact grows slowly because it is cumulative. Far from alone, these figures are all looking out into the distance looking at whatever passes, perhaps looking for something to come. But they stand in a solidarity of the human condition, whatever that is bringing today. These figures do not shout audaciously at death, rather they look firmly at life and say that relationships are key to understanding where we are and how we are. Relationships
are a good place to begin if we want to understand what today is about. Today is Trinity Sunday and in it we focus on
our doctrine of God, on how we understand God’s nature to be. In the Trinity God is not seen to be about
isolated whistling in the dark against the dying of the light, something to make
the starkness of death seem more palatable.
In the Trinity we say that at the heart of God is relationship. When we talk about God as ‘Father, Son and
Holy Spirit’, we are not just talking about three ways that we have come to
experience God, but express a belief that at God’s core is an eternal relating. It is in God’s nature to relate because at
his core there is an eternal relationship: what we refer to when we say ‘Father,
Son and Holy Spirit’. It is this
triangle of the Trinity that communes and shares, stands in solidarity and
pours out of its very self in all that we are given. Because
of this, there is something divine about human relationships, in particular
that we have relationships at all and flourish in their warmth and support. The different ways that we experience God, as
Father, Son and Holy Spirit, express this in that they are three ways of God
relating to us. But there is more to
this. Relating itself is a significant
way in which we share in the life of God.
It is not just an expression of the divine life, but enables us to participate
in God. That is a mystical faith and
much more radical and intimate than we tend to realise. There is a tendency to keep God at a distance
and remote, but the Trinity presents a different picture, one of relating and
participation. That is much closer and
tangible. It also takes time to grasp it
more deeply, as the relating deepens. Before
we dismiss Damien Hirst’s glittering skull completely, he does throw powerful
questions into the equation, as his work often does. One of these is the place of wealth in our
relating. It is difficult to look at
8601 faultless ethically sourced diamonds without facing that challenge. A good deal of how we live is centred around
economic activity: work, paying bills, concern over rising prices, what
interest rates do to us. It has also
been predicted this week that we will soon see the first £10m a year
footballer. ‘For the love of God’, who
needs that amount? Wealth or money is a
tool to be used to order and oil our social exchanges. We buy food and all that we need, but there
does come a scale when the point has been seriously lost and a diamond
encrusted skull is a vivid way of expressing this. There is an approach where money is used as a
way of shouting at the darkness and avoiding the reality of the human condition. Placing
the diamonds on a skull next to Antony Gormley’s work and we are also
confronted with the ways poverty attack our relationships. Poverty eats away at us and can tackle not
only our primary relationships but also our sense of solidarity of belonging,
especially if we see others living in what seems to be a diamond encrusted
world. It damages communal belonging
where some use their wealth to disregard those without it. There is wealth that builds community and
allows relating to flourish. There is an
opulence of wealth that serves to divide and exploit, to exclude and make those
at the bottom more aware of the little they have. Jealousy and envy are stirred alongside
awareness of injustice and oppression.
There are cautionary observations that stand alongside the prophetic. Antony
Gormley’s sculptures dance with light and intimacy and in so
doing do more than
Damien Hirst’s shouting at the darkness with his spangly
skull. The play between these two works, though,
gives us a reworking of that great hymn to love in 1 Corinthians
13. If we have all treasures, but do not have
love, we have nothing and have missed the point big time. The
point to life is not wealth but relating. This is what we are
about and for. We are created by God who has relating at his
heart. We are created to relate to God
and one another, another three way trinitarian dance. In this
relating we share in and participate
in none other than the life of God and we express that every time we
use the
three-fold name of God: ‘Father, Son and Holy
Spirit’. Three persons, yet one God; three ways of
relating in an eternal communion. This mystery
is at the heart of everything that there is and it is our distinctive
Christian
understanding of God. ©
Ian Black 2007 |